Capital Ring – Section 5

Stratham Common to Wimbledon Park

This section is different to the last as it has suburban roads as well as parks and some beautiful and interesting building along the route. We leave Streatham Common at the Northwest corner and walk down residential streets until we get to the railway line near Streatham Common station. We pass under the tracks, through a couple of colorful alleyways, probably less intimidating during the day than at night to be fair.

Soon we come to Conyer Road, a street of smart late Victorian detached houses and the surprisingly attractive Streatham Pumping Station.

This was built in 1894. It is on the site of an earlier well that was covered by tin shed, which was apparently and eyesore, so it was a planning condition that the new building have an ornamental aspect in its design. This resulted in the Grade II* listed building with a Moorish design. Originally it was accompanied by a tall tower to the side, but this was taken down during WWII, because of the fear of aerial bombing. In 1903 it contained two steam driven engines that could each deliver 1,500,000 gallons of water a day to South London. I’m told that it is equally spectacular inside, but it is only open to the public on special occasions like Open House weekend.

More smart residential streets lead us to Tooting Common and we enter the Common by the Tooting Bec Lido. This is another interesting piece of London lore. It is the largest freshwater swimming pool in the UK, it holds a million gallons of water. It was built in 1906 as a project to provide work for local unemployed men. It is open all year round, although only to the general public from late May until late September. You have to be a member (with a strong constitution!) to swim in this open-air, unheated pool during the rest of the year.

Tooting Common is surprisingly large at over 200 acres. It has a couple of pretty lakes with waterfowl, and it is a site of metropolitan importance because it holds some rare areas of “acid grassland”. I don’t think I saw them, although I guess it’s possible that I did and just didn’t recognize them. There is also a pretty cafe, sheltered by old trees. It was busy on the day I went in, with many chatting Mums and pushchairs inside and walkers on the outdoor benches. The coffee was good.

After leaving the common we arrive in Balham and another remarkable building. Du Cane Court was built in 1937. It is a huge Art Deco block of flats that was very modern when it was first built, every apartment came with its own built-in radio. It contains 676 units which makes it, still today, the largest privately owned block of flats in Europe. It survived the bombing of WWII and this was supposedly because Adolph Hitler wanted it as the Nazi Headquarters in London on completion of the British invasion. I can’t find where any evidence for this might have come from, but there are articles in The Times and The Mail, among others about it.

Soon after we arrive in Wandsworth Common, another huge South London Park – 170 acres. This is a posher part of London and the houses on west side are large Victorian and detached, with many notable previous residents including prime ministers and authors. The cafe in this park is smart too, called “The Skylark”. It is in pretty surroundings, near the duck pond with tennis courts to one side. It is also licensed and does more substantial meals as well as coffee and cakes.

Just after leaving the common, we come to Wandsworth Prison. It was built in 1851 and the outside of the building has a kind of austere, stolid attraction. It is one of Britain’s largest prisons and has held many notorious prisoners. It was also the site of 135 executions, right up to the 1960s and its gallows was kept in full working order until 1993 and even tested every six months. It is the prison form which Ronnie Biggs, of Great Train Robbery notoriety, escaped before absconding to Brazil. The exterior was used in “A Clockwork Orange” and the gates are those shown on the titles to the TV series Porridge.

After passing the prison we head downhill on Magdalen Road and the path goes through Wandsworth cemetery which runs alongside it. This is large and well kept, it contains the remains of 592 servicemen and women, who died in WWI and WWII. They are buried in different place through the cemetery, and their names are listed on a screen wall of a military plot. Leaving the ground, we cross Earlsfield High Street and follow the river Wandle, a tributary of the Thames, through residential streets until we reach Wimbledon Park tube station which marks the end of section 5.

Section 5 consists of park and residential streets, and the walk contains a good mixture of nature, architecture and history.

Capital Ring Section 3

Grove Park to Crystal Palace – section 3 – is the longest on the Capital Ring. Starting at Grove Park Station we soon reach Railway Children Walk which commemorates the fact that the author E. Nesbitt lived nearby. There was very successful British film of the book in 1970, starring Jenny Agutter, and there have been many other adaptations since it was first serialized in “The London Magazine” in 1905.

14.8km Station to Station

Soon after this we arrive at Downham Woodland Walk, a narrow strip of woodland, which was once part of the Great North Wood. This itself was once part of the prehistoric forest that covered most of England, so many of the trees here are direct descendants of that forest. It does actually feel like a very old forest as you walk through it, although I guess that could be because I read about it before the walk.

Great North Wood

Just before you leave the wood there is a marker to let you know that you are crossing the Greenwich meridian line. Soon after, we come to Beckenham Place Park, crossing the Ravensbourne River by means of a humpbacked bridge. Legend has it that the river got its name because Roman soldiers were led to the spring at its source by a raven. This is a large park; we walk alongside a golf course and cross a railway track before we come to Beckenham Place Park Lake, which appears to be a popular spot for wild swimming.

Swimmers in Beckenham Place Park Lake

Up the hill from the lake is Beckenham Place Mansion. It was a fine house in its day, it is grade II listed. Now it belongs to Lewisham Council, who appear to be renovating it, although I have to say that it seems to be going on for years with little change. I have a similar picture from the 2010 walk, and it looks very much the same except that the scaffolding is in a different place on the building.

Beckenham Place Mansion

There is a section of residential streets before you reach a small but pretty park, Cator Park. It has two small rivers running through it, The Chaffinch and The Beck, tributaries of the Ravensbourne. It has a busy cafe, a playing field and nicely tended flower beds.

Fir trees Cator Park

The final section of the walk is through Crystal Palace Park. This is packed full of interest. It was built to hold The Crystal Palace, of the Great Exhibition of 1851, when it needed to be moved from Hyde Park. When it was built it was London’s most spectacular pleasure garden. It hosted firework displays, circuses, concerts and shows. It had fountains, cascades, statues, a maze and a miniature railway. The Crystal Palace itself was destroyed by fire in 1936 and was never replaced. Now it has a National Sports Centre with first class athletics and swimming facilities.

Crystal Palace Dinosaurs

The Dinosaur Court was built in 1854 and contained the first ever dinosaur sculptures in the world. Having spent most of the 20th Century out of favour, in 1973 they were made Grade II listed and following renovation early in the 21st Century they became Grade I listed in 2007, putting them in an exalted list with St. Paul’s Cathedral, Monument, The Bank of England and others. One of E. Nesbitt’s books, written in 1907, has a storyline where the Crystal Palace Dinosaurs come to life.

Brown and Green café

The Park has two very nice cafés too, both called Brown and Green, one at the Penge end of the park and one at the entrance to Crystal Palace railway station. The one at the lower end of the park was very busy with parents and children in buggies on the day I was there, but the one in the station had plenty of space and quick service. Crystal Palace station is the end of a long but satisfying walk full of interesting sights.

Mural on the wall of the Park Tavern Pub near Penge East Station

Highclere Castle

Highclere Castle is the home of the Earl of Carnarvon, a Grade I listed building, and Grade I listed garden, in Hampshire between Newbury and Andover. It is a beautiful, historic building in its own right and has added renown because of its use in many films and TV series, probably most famously Downton Abbey. If you know these films or watch the TV series, you will recognize the building as you drive up the long sweeping drive to the car parks. 

The walk up to the house from the car park is also recognizable and there was a constant queue of people having photos taken at the famous front door.

When you book, you need to be aware that there is no photography allowed inside the house, however the interior decoration is both sumptuous and recognizable. You certainly do have the feeling that you are walking around a film set rather than a family home. The views of the gardens from the windows of the house are equally attractive, which is a testament to the talent of Capability Brown, the famous 18th Century landscape gardener, who designed the ground in the 1870s.

The house is full of historic interest too. It was used as a hospital for wounded soldiers in the first world war, a storyline used the TV series, if I remember correctly. Before that, it was here that the discussions were held, that led to Canada becoming an independent country. There is a Canadian Maple tree in the front garden, donated by the Canadian embassy, to commemorate this. The building also holds a notable Egyptology Museum, as the 5th Earl of Carnarvon, funded the dig that exhumed the tomb of Tutankhamun. His interest also led him to purchase many other ancient treasures from that part of the world.

The day I went to Highclere was a more expensive tour than the basic entry day and although this did not appear to give a great deal more (a couple of extra rooms, a personal guide and a talk) in terms of access, it did limit the number of people in the grounds and castle to under 200 through the whole day. On a normal open day, they can get over 1100 people, so I’d imagine that queue for photos at the front door becomes very long.

There is a café and bar, and you can order afternoon tea on the lawns. It is about an hour from London by car and roughly the same by train (a £20 taxi ride from the station). I spent about 4 hours there wandering the house and gardens and the time passed very quickly, so with the travelling times, it was a full day out – and a day well spent.

Great London Songs

6 A nightingale sang in Berkeley Square

Written in 1939 and released as part of the London show “New Faces” in 1940. It was first sung by Judy Campbell (the mother of Jane Birkin, famous for singing the very French song “Je t’aime” in the late sixties) in that show. It was immediately popular, and Vera Lynn had recorded before the end of the year. Frank Sinatra’s version is probably the most well-known, reaching No. 2 in the U.S. charts.

It has been covered by so many artists that it is hard to pick favourites, Glenn Miller, Nat King Cole, Michael Bublé, and Rod Stewart to name just a few. The Stéphane Grapelli and Yehudi Menuhin version is really good. Manhattan Transfer’s cover won a Grammy. The New Vaudeville Band did a distinctive version in the mid ’60s, and Ian Hunter (remember him from Mott The Hoople and Ziggy Stardust?), includes a version on his live sets.

It also features in many films and TV shows. Robert Lindsay sings it as the theme tune to the series “Nightingales”. Tori Amos sings it in the credits of Terry Patchett’s “Good Omens”. David Mitchell even sings it to Olivia Coleman in “Peep Show” Berkeley Square is a square in Mayfair, surrounded by smart terraced houses. Many of the earliest British Prime Ministers had their private residences there. It is a grassed square containing 18th Century Plane trees and there was a “coming out ball” (for debs, not as we know the term now!) held here, under a marquee, every year.

Guildhall Art Gallery

This Gallery holds the art collection of The City of London. Not only is it free to visit, but most weekdays it has a free guided tour of the gallery at 12.15pm and 1.15pm. The collection on display is small compared to the National Gallery or the Tates but it certainly worth a visit.

The Defeat of the Floating Batteries at Gibraltar by John Singleton Copley

The original gallery was destroyed in the Blitz and not rebuilt until 1999. When it was rebuilt, it was designed around holding the painting above, which is huge, around 5.4m by 7.5m, as there was no other gallery in the UK with a space large enough to hold it. The gallery was actually commissioned to be built in 1985, but they discovered that it was being built on the site of a Roman amphitheater. It is possible to visit these remains in the basement of the gallery.

Remains of the Roman Amphitheatre

The remains are well laid out with some pieces still in the floor but covered in glass and other areas cleared for you to walk around with a light show imagining where the seats and auditorium would have been.

Gateway to the Amphitheatre with animal holding room

The most famous work is possibly “La Ghirlandata” by Rossetti which has been recently restored and is now on display on the first floor. It has many commissioned works from the 18th Century to the modern day and there are a couple of the Lord Mayors parade, one from the 1880s and another from the 1960s. It is interesting to compare what has changed and what has remained the same in the intervening years.

La Ghirlandata

Just in case all this was not enough, they have The City of London’s actual copy of the Magna Carta on display on the lower ground floor. Apparently, this is not on permanent show though, so if this would be your main reason for attending, check before you go. It was very quiet on the afternoon I went and there are plenty of seats for you to sit and appreciate the art. All in all, I would say that The Guildhall Gallery is a much overlooked and underrated London Gallery.

The Magna Carta

The World Reimagined

City of London Trail

The World Reimagined is an exhibition of 103 individual, artist decorated globes, set out in 10 trails, in 7 different cities throughout the UK. I walked the City of London trail, which has 10 globes.

The Globes are designed to make us think about our history in an honest way and they hope to inspire us to look toward a fairer future.

The city of London trail was a little over 3km and took around 2 hours. Some of the globes were hard to find and if I’m honest the map wasn’t great. If anyone does the trail and finds the first globe, I would be grateful if they could give me a hint as to where it is. I used the app after the map was less than helpful and when it said “you have reached the globe” it was nowhere to be seen!

The globes on the City of London trail are a lot about slavery, which I guess is actually where a lot of its wealth came from. The stories they tell are interesting and informative. The trail takes you through a part of London that is rich in history and that is also fascinating to walk through today. You will see St Paul’s Cathedral, Bank, Bow Bells, The Gherkin and much more.

The exhibition runs until the end of October, there are 4 different trails in London, as well as trails in other cities including Swansea, Leeds, Liverpool, Leicester and Birmingham.

The world reimagined has a big online element too, with many YouTube videos, and each globe has QR codes that can be scanned so you can “collect” the globes and read information about them, such as the artist and what they represent.

All in all, an ambitious project – the globes and trail are only a part of it. I found it an entertaining morning out, so if you are in any of the cities taking part and you fancy a walk, I would recommend looking up “The World Reimagined”

Kensington Palace, London W8. Part 2. Queen’s State Apartments and King’s State Apartments.

Kensington Palace has been a place of residence of the British Royal family since 1689. It was bought as a completed building by William and Mary when they ascended to the throne.  Those parts not being lived in are open to the public. Currently they contain four exhibitions, one ticket allows entry to all four. Entrance to the Palace gardens, including the attractive sunken gardens is free and these are certainly worth the time it takes to walk round them on days when the weather is clement. The first two exhibitions are about Queen Victoria and Princess Diana’s dresses. They are both interesting in different ways, I have a blog post about them here: Kensington Palace, London W8. Part 1. Victoria Revealed & Diana, her fashion story.

The next two exhibitions are The Queens’ State Apartments, which has the rooms decorated as they were in the 1690s, during the reign of William and Mary, and The King’s State Apartments, which has the rooms restored in the way they were in the early 1700s, during the reign of Georges I and II.

These are arranged in reverse chronological order, entry is through the sumptuous King’s Grand Staircase. Decorated in the time of George II, this is broad and spacious,  we are overlooked by painted figures as we ascend. The staircase is certainly grand, immediately we can tell that we are in an era when conspicuous wealth was expected of the monarchy. The mural was painted by William Kent in 1724 and contains depictions of many actual members of the royal court at the time. Kent even included himself in the painting, he is the man wearing a brown turban and holding an artist’s palette, and the lady looking over his shoulder was reportedly his mistress.

The rooms in the King’s State Apartments have many wonderful Georgian features. The fireplaces and ceilings are spectacular. One ceiling is decorated with shields representing the members of the Order of the Garter, with its insignia making the centrepiece. The King’s Gallery has a mantelpiece with a map of the British Isles and Western Europe. This is linked to a weather vane on the roof, so that King George could see how the wind was affecting his fleet. It is still working today. The drawing room has some interesting examples of gaming tables from the era and the best perspective of the gardens, down to the lake.

 

The Queen’s State Apartments are 17th Century and this exhibition is more intimate, showing their bedrooms, their dining room and gives a little more of an insight into how they went about their, still opulent, daily lives. The furniture and delft is remarkable and the tapestries and bed coverings are extravagant. It is interesting to see the shortness of the four poster bed, it was thought at that time to be beneficial to health to sleep in a sitting position.

The exhibitions also contain lovely examples of the fashions at the time, there are some wonderful farthingale supported embroidered skirts, which look spectacular but must have been completely impractical to wear.

Between all four of the shows here, it would be difficult to do it justice in less than a couple of hours, there is almost too much to see in one visit. Perhaps it would be worth viewing the Palace on one day and the Gardens, Park and Orangery, which are free to enter, on another. This way you could spread the visit over a couple of days and only have to pay the, not inconsiderable, entry fee once. Kensington Palace and Gardens is one of the most historic visitor attractions in London, the exhibitions are well stocked and informative, although it is not cheap to visit, it should be among the sights that you consider when in London. It is free to enter with an Art Pass, if you have one of these you should not miss it, Kensington Palace is a highlight of their offer.

 

Handel & Hendrix in London, Brook Street, London W1

London has a number of small and quirky museums. This one dedicated to life and works of George Frederic Handel and Jimi Hendrix is certainly an unexpected combination. Handel lived at 25 Brook Street for 36 years in the 18th Century and Hendrix lived at number 23 for short time in the 1960s.

Bach’s house is decorated in the slightly austere Georgian style that was fashionable when he lived there. It does contain some beautiful musical instruments, including a wonderful harpsichord and a chamber organ. The bedroom has a four poster bed and there are some good paintings and a bust of Handel too. There are recitals held in the music room at least once a week and the staff are knowledgeable and helpful.

The Hendrix flat is laid out somewhat differently. The bedroom/living room is decorated as it would have been when Hendrix and his girlfriend lived here, this is borne out by the many photos of the room published during this time. The rest of the apartment is done in a more traditional museum style, with guitars and jackets in glass cases and commemorative posters on the walls.  The bedroom is interesting, the fact that it is so classically psychedelic Carnaby Street 1960s in style probably reflects the huge effect that he had on the fashion of the time.

Unlike many museums in London, this one is not free unless you have a National Art Pass. It is small but it does contain a number of curious items. It is striking to compare what the height of fashion was in the centre of London two hundred years apart – and there is something apt in the fact that it doesn’t open until 11am on any day. Half an hour or forty minutes will adequately see you round this exhibition, but if you are a fan of either rock or baroque, I think there will be something here to please you.

Kensington Palace, London W8. Part 1. Victoria Revealed & Diana, her fashion story.

Kensington Palace has been a place of residence of the British Royal family since 1689. It was bought as a completed building by William and Mary when they ascended to the throne and it has been expended and improved since, by both Christopher Wren and by Nicholas Hawksmoor. Part of the palace is still used as living accommodation by the Dukes and Duchesses of Cambridge and Sussex.

Those parts not being lived in are open to the public. Currently they contain four exhibitions, one ticket allows entry to all four. Entrance to the Palace gardens, including the attractive sunken gardens is free and these are certainly worth the time it takes to walk round them on days when the weather is clement.

Victoria Revealed is an exhibition about the life of Queen Victoria. She was born in Kensington Palace and lived here until she became monarch in 1837. It consists of eight rooms detailing her life in, mainly chronological, order. It does contain some interesting personal items such as the dolls with which she played as a child. The portrait of her at the time of her coronation, shows why she was considered a beauty in her youth.

 

It has the uniform that her husband Albert wore on their wedding day. This has embroidered messages, such as “dearly loved” and “Oh my Angel Albert”, on the cuffs collar and pockets. It also has a garter, tied visibly, just below the left knee. It also has the gilt bassinet which held many of her nine children, as babies.

The rooms are relatively sparsely decorated, but have some nice busts and a few interesting paintings, including a couple of the Great Exhibition and the Crystal Palace, in which it took place. The Great Exhibition was opened in in 1851 by Queen Victoria herself. In the gardens of the palace, stands “The Queen Victoria Statue” designed, in marble, by her own daughter Louise, who was a celebrated artist of the time.

The presentation contains a moving memorial to Albert. Victoria was strongly affected by his death, she wore mourning clothes and withdrew from public life for many years after.  Victoria Revealed is a fascinating show, the items on display are sympathetically exhibited and give a nice insight into her personal life.

Also on the first floor is “Diana, her fashion story”. This is a collection of Princess Diana’s most famous suits and dresses. There are about 20 of her outfits on show here, along with notes about the designers and details of the occasions on which she wore them. They are interesting in that they mark the fashions of the time as well as well as being beautifully designed. It is surprising how many of them are recognizable, it seems that time has proven that Diana really was a fashion icon of the 1980s and 90s.

Antony & Cleopatra, National Theatre, South Bank, London

Antony & Cleopatra is always a big undertaking. The play is an uneasy mix of love and war, it requires a wide variety of settings, scenes and textures and it is usual that a choice is made to make it either bellicose or romantic. Simon Godwin has made the brave decision to have it both ways. The talent and apparatus that are at his disposal at the Olivier theatre allow him to pull it off triumphantly.

The cast is high quality and on top form. The set and choreography are stars in their own right. Hildegard Bechtler, set designer and Evie Gurney, costume designer do a wonderful job.  I doubt that it would be possible to do the transformations from opulent Alexandria, through Roman war rooms to topside ship decks, with such efficiency on any other stage. It is beautifully done and gives the piece a cinematic quality that it is uncommon to see in the theatre. they have lavished money, care and attention to detail on this production and it has not gone to waste. The costumes are sumptuous, Cleopatra really does dress like a queen.

The huge change in ambience between the military settings and the romantic ones make it easy to see the dichotomy that Antony faces between duty and desire. He begins the play lounging by the pool but it not long before he is army fatigues. Ralph Fiennes plays Antony with a hint of midlife crisis, but when he is with Cleopatra there is never any doubt of his love for her. The chemistry between them is palpable, they are sultry and sensual, the perfect star crossed couple. Sophie Okonedo is every inch the Egyptian Queen, expecting adoration and receiving it; sharp and soft,  petulant and magnanimous, veering between vulnerable and dangerous. She owned the role, it feels like the part she was born to play.

The acting throughout is very good, Tim McMullan is excellent as Enobarbus. Hannah Morrish brings out the role of Octavia well, we see she is poorly used by Caesar as well as Antony, but takes what slight revenge she can. Fisayo Akinade is funny and sad as Eros, Antony’s freed slave.

Antony & Cleopatra is three and a half hours long, however there are a couple of light and funny scenes and director, Simon Godwin, makes good use of these to give relief from the tension and high drama. The ending of this play is often difficult to stage, but here it is done in a very authentic manner. There is a glimmer of compassion to the finale of  this play, that is not often there in Shakespearean tragedy. A word of warning to those who suffer from ophidiophobia – you may wish to get seats a little way back from the stage.

Everything about this show oozes high production values, right down to the programme, which has copious information about the background to the play. This is exactly the type of production that gives the National Theatre its worldwide renown.