Side Effects (dir. Steven Soderbergh) 2013

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Side effects is an interesting psychological thriller. The story is good; with a number of twists and turns along the way. The subject matter is pretty dark; involving the marketing and side effects of prescribed medication.

None of the major characters in the film are nice people, all of them are manipulative and duplicitous, so it is hard to feel empathy when bad things happen to them.
Having said that, Rooney Mara and Jude Law both put in compelling performances. Steven Soderbergh is a reliably good director, and the direction of this film suits the subject matter well. The setting is modern urban and you are made to feel the adversity and frustrations of their day-to-day life.

The dialogue is sharp and the story is clever, a Hitchcock style chiller, that enjoyed a revival in the 1980s, but is out of fashion now.  I dislike how calculating everybody turns out to be; every character is using everybody else with no regard to their welfare or needs. Perhaps this is a comment on the pharmacological industry, but it feels implied of the world in general and this is too dystopian an outlook to make easy viewing. The problem is, the acting and directing are good, so you can see their motivation and at times it is tempting to believe that it could be true.

In summary, this is a well made movie, that seems little too cold and analytical for its own good now; however, in the future, with the benefit of hindsight, it is possible,  that this might be one of those films that we look back on as capturing the mood of the world at that time. I hope not, but I want someone remind me to watch it again in 15 years time.

Quartet (dir. Dustin Hoffman) 2012

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Don’t sit down to watch this expecting any deep revelations about the meaning of life. Think more in terms of an episode of Glee with opera music and old people.

Dustin Hoffman’s directorial debut is full of visual metaphors for old age. The time of year is late autumn, there are beautiful sunsets and it is all set in a wonderfully maintained ancient building.  The acting is good, the direction is good, the setting is beautiful and the music is lovely. The story is undemanding, particularly predictable, in fact it is almost facile but it is all very likeable and chilled. It is probably perfect Sunday afternoon fare, you could doze off for a few minutes and when you come back you will still know exactly where you are in the storyline.

It has a cracking cast and the director has left them to do what they do best. Maggie Smith has some great arch put downs, which she delivers perfectly. Michael Gambon is a wonderfully camp, self obsessed director.  Pauline Collins is giddy and dizzy. Tom Courtenay is wounded and rueful, and Billy Connolly is a rude and distasteful old charmer. The dialogue is sharp and there a few nice cameos and set pieces.

Easy and comfortable, if films were shoes, then quartet would be the tartan slipper!

 

Park Room and Library, Grosvenor House Hotel, Park Lane, London

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We were looking for somewhere to celebrate our wedding anniversary and the Park Room and Library sounded like a good deal, so four of us came for the bottomless champagne afternoon tea. The room is beautiful. It is light and airy; full of windows which look across Park Lane into Hyde Park. The traffic is muted by the flower displays between you and the pavement. The room is decorated in pale summery colours with a pretty butterfly motif throughout. It will appeal to overseas visitors; the formal dress of the staff and the height of the ceilings gives the room a light, old colonial feel.

The afternoon tea itself was very good, limitless finger sandwiches, as many scones as we liked and a wide array of pastries served on pretty cake stands. We were even given a selection box of these to take when we left! There was a big choice of both savoury and sweet options and the waiter enquired about any dietary requirements before he took our orders. The service was fantastic, out waiter was generous with the champagne and our glasses were topped up constantly during our two hour meal. There was a big variety of teas from which to choose, all served on a bone china tea service.

Its position at the top of Park Lane near to Marble Arch is very central. If you are visiting London and looking for a venue to have a British Afternoon Tea, especially if you are partial to a glass of Champagne, this would be a very nice place to enjoy it. We booked about a week in advance and it was busy, so I think you would need to be very lucky to just walk in without booking. I guess at £40 it is not the cheapest afternoon tea in London, but with unlimited food and Champagne, I think it represents pretty good value.

 

Shrek (dir. Andrew Adamson & Vicky Jensen) 2001

 

shrekShrek has just turned sixteen and it is now available on Netflix.  I remember having enjoyed it when it came out, so it is interesting to see how it has fared in the intervening years.

It has aged well. It is crammed full with jokes and these are still funny, the cultural references have remained relevant and the story is that rare mixture of knowing and sweet. The cast of fairytale characters are timeless and their lines are clever and likeable. The evil lord is wonderfully nasty without being either frightening or creepy.  The story has a nice uplifting moral tone and you are longing for the heroes to prevail. The animation and delivery are both well done, Eddie Murphy is particularly good as Donkey, how bittersweet to have your most enduring role as an animated ass!
This film won the first Oscar for Best Animated Film and it is a deserving opening winner. It is a big feat to have a movie that is principled and simple enough to entertain you as a child, but subversive and referential enough to provide a new set of pleasures when you watch with your own kids. I believe that I enjoyed it just as much now as I did then.

A lovely film that stands the test of time.