Ruthless! The Musical, first opened off Broadway 26 years ago. It is the almost archetypal off-Broadway show. It makes the fact that it is a low budget show in a small theatre part of its appeal. So, I was worried that the Arts Theatre, although it is the smallest theatre in the West End, would be too big for it.
Having said that, Ruthless is a great show, with a wonderful part for an aspiring young actress as the 8 year old, Tina. Given the importance of understudies in the storyline, there is a wonderful irony in the fact that the first two understudies for Tina when the show opened in 1992 were Natalie Portman and Britney Spears. This being the UK, with child protection laws, we have 4 Tinas and no understudies. Anya Evans played Tina on the night I attended and she was very good, great dancing and a frighteningly bright smile.
It has become usual for the role of Sylvia St Croix to be played by a man and Jason Gardiner makes a good job of it here, his movement is excellent and he can certainly dance in heels. Kim Maresca is fantastic as Tina’s mother, very Stepford Wife in the first act and very Liza Minnelli in the second. In fact, all the acting in this production is top notch, Tracie Bennett and Harriet Thorpe are both pantomime villain good as theatre critic Lita and drama teacher Myrna.
The musical numbers are mostly good, two standout songs are “I hate musicals” sung, with many funny reprises, by Lita and the title song, Ruthless! by the whole company. The set and costumes are both “fabulous dahling”, 1950’s crinoline petticoats in a 1960’s Formica living room.
The real stand out thing about this show is the references, Shirley Temple, All about Eve, Bob Fosse, interpretive dance, Judy Garland – far too many to list – all get a mention in some way. It’s enjoyable trying to spot them and there’s no way that you will get them all. Everything about this show is kitsch, but if you didn’t know that before you arrived, you should have done more research before buying the ticket. The humour is camp and low brow, but still great fun. This is good production of a good show, perhaps it could have been even better in a more intimate theatre.
On the lower northern wall of the square are busts of three First Admirals of the fleet; Cunningham, Jellicoe and Beatty. Admiral Andrew Cunningham was distinguished veteran of WWII and his bust was added after the other two in 1967. Jellicoe and Beatty are Admirals of WWI and their busts were placed in 1948, facing Nelson, “Hero of the fleet”. I hope it is true that they both admired Nelson as much as they are supposed to, because upon their deaths, in late 1935 and early 1936, they were both entombed in St Paul’s Cathedral, also facing his tomb.
Also on the lower northern wall of square is an often overlooked historical treasure “The Trafalgar Square Standards”. They are low down along the steps and in the wall behind the seats. These were the official British Imperial measurements of length until we adopted the metric units of measurement in 1995. These were set into stone, by the Standards Department of The Board of Trade, in 1876 and if you suspected that any measuring implements were incorrect you could bring them here to settle the argument. There are three sets of these official standards, the others are in the Royal Observatory in Greenwich and in the Great Hall of the Guildhall in the city. The official measures included are; the inch, foot, yard, link, chain, perch and pole.
There are four plinths built to contain statues in the square. The two on the south side of the square contain statues of Victorian Major Generals, Napier and Havelock. They both served with distinction in the campaigns in India. The third plinth is occupied by an equestrian statue of George IV. It was commissioned by the King himself and depicts him riding bareback, without stirrups and in ancient Roman dress. He intended it to be placed on the top of the Marble Arch, but it was put here in 1843.
The fourth plinth was intended to hold a statue of William IV. It was empty for over 150 years until 1999 when it was decided to put a succession of works of art on the plinth, each occupying it for a limited amount of time. These art pieces have generated a great deal of debate over that past twenty years and, in that respect, the concept has certainly been a success. All of them have been controversial, most of them have been innovative and some of them have been attractive. Among the more memorable are; Anthony Gormley’s “One & Other” where over the course of 100 days, 2400 different people each spent one hour on top of the plinth, Marc Quinn’s “Alison Lapper Pregnant” and Yinka Shonibare’s “Nelson’s ship in a Bottle”. The current incarnation, Michael Rakowitz’s “The invisible enemy should not exist” is a recreation of a sculpture of a Lamassu (a winged bull and protective deity) that stood at the entrance to Nineveh from 700 B.C. It was destroyed in 2015 and this piece is made completely from empty Iraqi date syrup cans. I find it beautiful.
On the South Eastern corner of the Square is a round edifice with a light on top. This is claimed, by some, to be the smallest police station in the world. Put in temporarily in WWI but made permanent during the general strike of 1926, it is a raised room from which a policeman could stand and watch the square in order to phone Scotland Yard, if a demonstration in the square showed signs of becoming dangerous. When the light was changed from gas to electric, the light used to flash when the phone rang, in case the assigned policeman was patrolling the square.
I have a couple of pieces other random trivia about Trafalgar Square. The north side of the square is substantially higher than the south. This slope is not natural, the south end was lowered in order to made the National Gallery building more imposing. The earth was used to level St James’ Park. Adolf Hitler planned to remove Nelson’s column and statue from Trafalgar Square when Germany conquered Britain. His intention was to place them in Berlin as a victory trophy.
While you visit Trafalgar Square, you should visit St Martin-in-the-fields on the NE corner and the National Gallery. I plan to do separate pieces about these. I will put links here when I have completed them. Also, on the South side, between Whitehall and The Mall, there is an unobtrusive hotel called The Trafalgar. This is a smart hotel and if you go to the back you can catch a lift up to a rooftop bar. The cocktails are central London prices, but they are good and the roof terrace has lovely views over the square.
The Wallace Collection is a must see museum/gallery if you come to London. The items on show were bequeathed to the nation in the late 19th Century and have been on display here since 1900.
The number and quality of the Old Masters from the 15th to the 19th century is amazing. It has some of the finest examples of 18th century French furniture in existence. There is also a rich assemblage of porcelain, sculpture and royal amour in the collection. One of the more unusual pieces is a particularly ornate cannon.
Many of the pieces were bought during the sales of art following the French revolution, which is why the collection is so strong in 18th Century French art. Such good examples of the Louis XV cabinets and marquetry cannot be seen anywhere else in the world.
A condition of the bequest was that none of the pieces ever left the collection, even to go out on loan. So if you ever wish to see, say, “The Laughing Cavalier” or Canaletto’s “View of the Grand Canal” you have to come here.
It is astounding to discover that it is free to visit this collection, although they do ask for a donation. It is also surprisingly quiet, compared to the other, bigger museums and galleries in London. This is presumably because it is not in the main exhibition area of town, although you could argue that, situated between Oxford Street, Baker Street and close to Selfridges, it is even more central than those in South Kensington.
Notable among the Old Masters in the collection are 5 Rembrandt, 4 J. W. Turner, 8 Canaletto, 2 Titian, 12 Reynold, 5 Cuyp, 2 Gainsborough….. the list goes on, it is an amazingly rich and full list. There is even a wonderful portrait of Queen Victoria from 1837, when she was newly ascended to the throne.
The Wallace Collection should not be missed when visiting London. Bring your friends when you visit, and you will surprise them with both the quantity and the quality of the art here. Given how quiet it tends to be, even in the summer, I am going to count this as a hidden gem, and I recommend it heartily.
Motel One is about as handy as you can get if you arrive in Manchester by train. It is directly across the road from Piccadilly train station. The rooms are quite small, but they are cleverly laid out and well appointed. The windows are big, so even on a grey day the room feels bright. The bathrooms are new and modern and the shower is excellent. The bed is big and comfortable, all rooms have free wi-fi that is efficient, the code only works for 3 items though – so if you are as gadget fuelled as we are, you may have to sweet talk the reception staff into giving you more codes. Motel One is German hotel brand and the TV comes with many European channels as standard.
The breakfast is good, but continental only, it is not included in the price and not particularly great value in a part of town that is full of great brunch venues. Head to Hilton Street which is less than a ten minute walk away and has a number of interesting cafes, including The Pen and Pencil, 57 Hilton St, Manchester which we really liked.
Also, you need to be aware that, despite its name, Motel One, does not have a car park, so you are at the mercy of private car parks if you have driven to Manchester and parking in town is not cheap. Having said that, central Manchester is a great city to walk around and public transport is pretty good, so a car would not be essential for your time here.
The bar on the ground floor is decorated in a modern European style; flash furniture and muted colours, pleasant enough to sit and have a drink in while waiting for friends. The music is at a nice level for conversation and they have pleasant bar staff.
Overall, Motel One Piccadilly is a very good budget hotel, right in the heart of town and I will happily stay here again next time I come to Manchester.
This restaurant is very centrally located – in a beautiful solid brick building, on the corner of Albert Square. The entrance is up a few steps to a nice bar space with a mixture of sofas and chairs. The restaurant is downstairs, it looks impressive as you descend, an industrial sized room filled with fully set dining tables, booths and banquettes. The windows are set high and the kitchen is open and visible from the dining room. The walls of both floors are lined with photos of Manchester luminaries, some recognisable others less so.
The menu is traditional British. The corned beef hash cake is a great starter, meaty and comforting. I had a rib eye steak and it was flavourful and tender, one of the best steaks that I have had. The steak and kidney pie was reportedly great too, done in the old fashioned way with suet in the pastry.
The wine list looked good, the house rose was excellent. They have a full bar, so the selection of beers is good too. The service was friendly and helpful. It is not a cheap restaurant, but everything they do is high quality, so definitely a meal to sit and savour. This is a venue for a night out, to enjoy the evening and chat after.
We ate early, 6pm, so we managed to get in without booking, but it was quite full by the time we left, so I would imagine it would need to be booked if you wanted to eat at a more popular time.
We thoroughly enjoyed it and will be back next time we are in Manchester.
Streatham Common is an attractive green space in South London. The grass on the Northern and Western section is maintained and dotted with trees. It looks very pretty sloping upwards towards the rookery from the A23. On summer weekends it is quite busy with people, flying kites, having picnics or just chilling out. This area of the park often has events running when the weather is warm. An interesting one booked for September is “A Midsummer Night’s Dream” performed by the world first cycling theatre company!
The eastern side is left in a more natural state. It has been designated a local nature reserve and it has many oak trees and some beautiful old cedars. Where the western part meets the east there is beautiful formal garden called The Rookery. A mineral spring was discovered here in the 1650s and was visited by royalty to take the waters. Streatham was a very fashionable out of town location in the 19th century and the Rookery Gardens are kept as they would have been in those days. There is a rockery with a pond, lovely herbaceous borders, and it has an ornamental stream running through it.
The Rookery Café is outside the wall of The Rookery just on the border between the maintained and more natural parts of the common. It is a well run café, serving hot and cold food. There are seats outside with big views to the west and south.
The Common is surprisingly large – over two kilometres along the perimeter from its northwestern corner to the northeastern one. As you head farther east, the park becomes part of the borough of Croydon and is known as Norwood Grove, although historically, it has always been part of the Great Streatham Common. There is a nice 19th century house here, inside the park, Norwood Grove House, although it is known locally as the White House. This also has nicely laid out gardens and pretty, if urban, views out over Croydon.
Streatham Common is a well used park, surrounded on all sides by houses. There are joggers, dog walkers, parents with buggies, yet it is big enough to avoid feeling crowded. It is on the Capital Ring, which is a 120 kilometre walk around London, broken up into 15 smaller sections. This is a surprisingly green and traffic light walk for such a large metropolis. The park itself is a varied and interesting area with lots of different types of scenery, I would say that it is certainly worth a visit if you are in South London on a sunny day.
Whether you are travelling from Brighton to Basingstoke, Mortlake to Milton Keynes, or from Hove to Harrow, Clapham Junction Station is your friend. With around 2000 trains a day going through, it is the busiest station in Europe. It is also the busiest in the UK as an interchange with close to half a million people changing trains here per day during the week.
It is not particularly pretty, nor is it as architecturally interesting as some of the other main stations in London, but it is efficient. There are 17 platforms and there is an underpass or overhead concourse to travel between them. Personally, I like the tunnel, old and busy with shops and food vendors, as the means of movement, but it does get crowded at peak times and there are no escalators or lifts, so stairs are the only way down. The raised pathway has lifts and it is more modern. It is also brighter and it feels less claustrophobic at peak times.
Surprisingly, Clapham Junction is not connected to the tube, but it is served by many buses and has parking for a couple of hundred bicycles. Should you require step free access, make sure that you are dropped off at the Brighton Yard entrance, rather than the shopping centre side in Grant road.
Time Out Online has Clapham Junction Station listed under “things to do”. I’m not sure that I would go quite that far, however, if you spend any time travelling around in London, you are likely to change trains here. When you do, it is worth taking a moment to think about the number of trains and people going through, and then marvel at the level of competence required to run, what is effectively, one of the biggest train sets in the world.