The Lady Vanishes (dir. Alfred Hitchcock) 1938

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The Lady Vanishes is a 1938 comedy/thriller classic of the British Film Industry. It was Hitchcock’s breakout success and convinced David O. Selznick to offer him a seven feature deal in Hollywood. It was Michael Redgrave’s first movie part. Margaret Lockwood was already a leading lady, but this was her biggest film to date. It is also notable for being the first appearance of Charters and Caldicott a cricket obsessed comedy duo who were very famous throughout the 1940s.

The film was a huge hit, not only in the UK but also in the US, where it won the New York Times award for best film of 1938. The crime/suspense element of the film is very good with a very clever intricate story. The comedy is genuinely funny, the leading couple have great chemistry and their bickering is arch and witty. The supporting characters add to the entertainment, whether its the whimsical humour of Wayne and Radford as Charters and Caldicott, the slapstick of  Emile Boreo as the Hotel Manager, or even the awkward situational comedy of “Mr and Mrs” Todhunter.

This movie is almost 80 years old, so there are parts which seem unsophisticated from a modern perspective, but for me, this adds to its charm. I love the opening scene, where the avalanche has delayed the train. To our refined eye, it is patently a set up model, but although we know this, it works perfectly well and sets the stage to start the story.

It is one of the films that contains the traditional Hitchcock cameo, very near the end of the film, he appears on Victoria station. Although he was nominated at the Academy awards, as best director, five times, he never won any of them. So this movie was his only award for best director, he won the New York Times award in 1939. This film is a significant piece of British cinema history as well as being a very enjoyable watch.

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Weekend (dir. Andrew Haigh) 2011

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Weekend is a beautifully written and wonderfully acted film. It was made and set in 2011. Two guys hook up in a bar on a Friday night and the film is the story of their gradually developing relationship between then and Sunday evening. Although In many ways it is a universal love story, it is firmly rooted in the British urban bar scene of the time, both in the casual drug taking and in the way that they have sex first and then begin to get to know each other afterwards. Andrew Haigh, the director has gone for ultra realism in his film style and this almost feels like a documentary in places.

The two leads, Tom Cullen and Chris New, both put in great performances, as they need to for this realism to work. They are fully committed to their characters and you believe in them wholeheartedly, coming to care for them as they risk sharing their vulnerabilities with each other. It is a warm film, and we get to know them, as they get to know each other. They both appear well rounded and honest, even though our knowledge of them is limited, and we want their burgeoning trust in each other to be repaid.  However it is a cold world and they have known each other for a weekend…………

This is not just a gay movie, but Weekend is one of the best British Gay Films and deserves to be commemorated as such. It is currently showing at Picturehouse Central as part of the 50 years since decriminalisation series. It is also showing on the BFI player as part of their LGBT+ series, also commemorating 50 years since partial decriminalisation. Whatever platform you choose to see it on, it is certainly worth watching.

Queer British Art, Tate Britain, Millbank, London SW1

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Queer British Art at the Tate is a fascinating exhibition, it is more of a history of homosexuality in Britain told through artistic pieces. Some of the exhibits aren’t very queer, until you know their story, and some of the exhibits wouldn’t be  artistic in themselves, until they are included in this exhibition.

Is the door of Oscar Wilde’s cell in Reading Gaol art? Perhaps not, but it does fit well in this show. Is Gluck’s paining of a vase of lilac roses queer? Not unless you are aware it commemorates the beginning of her affair with the florist, Constance Spry. This is one of those shows where the notes accompanying the piece are often equally as important as the piece itself. There is a box containing 200 military buttons each of which represents an illegal sexual liaison with a man who was wearing it.

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There are many fabulous pieces here including four early Hockney’s and two Francis Bacon’s. There is a glorious photo of Quentin Crisp as a young man, he was really only famous in later life and this picture shows how beautiful he was. This exhibition is full of wonderful bits of British Queer history, some of which one will never have the opportunity to see again. It has the actual card that the Marquis of Queensbury left for Oscar Wilde calling him a “posing sodomite”. This led to the court case that had him incarcerated in Reading Gaol.

There are eight rooms here, packed with interesting items, so make sure that you leave yourself time to take it all in. It is rare that this tight man would go twice to a paid exhibition, but I  fully intend to return before it closes on the 1st of October.

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I think you should look upon this as a historical exhibition rather than an art exhibition, but either way, I recommend it highly.

Park Room and Library, Grosvenor House Hotel, Park Lane, London

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We were looking for somewhere to celebrate our wedding anniversary and the Park Room and Library sounded like a good deal, so four of us came for the bottomless champagne afternoon tea. The room is beautiful. It is light and airy; full of windows which look across Park Lane into Hyde Park. The traffic is muted by the flower displays between you and the pavement. The room is decorated in pale summery colours with a pretty butterfly motif throughout. It will appeal to overseas visitors; the formal dress of the staff and the height of the ceilings gives the room a light, old colonial feel.

The afternoon tea itself was very good, limitless finger sandwiches, as many scones as we liked and a wide array of pastries served on pretty cake stands. We were even given a selection box of these to take when we left! There was a big choice of both savoury and sweet options and the waiter enquired about any dietary requirements before he took our orders. The service was fantastic, out waiter was generous with the champagne and our glasses were topped up constantly during our two hour meal. There was a big variety of teas from which to choose, all served on a bone china tea service.

Its position at the top of Park Lane near to Marble Arch is very central. If you are visiting London and looking for a venue to have a British Afternoon Tea, especially if you are partial to a glass of Champagne, this would be a very nice place to enjoy it. We booked about a week in advance and it was busy, so I think you would need to be very lucky to just walk in without booking. I guess at £40 it is not the cheapest afternoon tea in London, but with unlimited food and Champagne, I think it represents pretty good value.

 

Tower Block (dir. James Nunn, Ronnie Thompson) 2012

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This is a no nonsense, horror/thriller movie. It is set on the top floor of a tower block that is about to be demolished. It is a British film and has an excellent British cast. It moves along exactly as you would expect, but the action is taut and interaction between characters manage to keep good tension going throughout he film.

Sheridan Smith, Russell Tovey, Ralph Brown and Jack O’Connell are all very good as the resourceful tower block inhabitants attempting to escape their situation, while quarrelling amongst themselves.  The set is excellent, the block is scuzzy, the area urban, the setting is as bleak as the position the tenants find themselves in.

The characters are flawed, but real, and there is not much pretense of politeness between them. The script is good and we grow to know, even if we don’t necessarily like, the protagonists. We want them succeed and applaud their increasingly desperate ingenuity.

This type of film generally follows a set narrative arc and the denouement is much as you would expect. There aren’t many surprises here, but it is a likeable film and very good at what it does.

Recommended.

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Golden Years (dir. John Miller) 2016

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This is a British comedy, with a great cast full of familiar faces. The concept is good and it has some nice funny touches. It has a wonderful British sensibility, in that it is a little bit subversive and sticks up for the underdog – it also has the British tendency to be slightly politically preachy and has a love of the double entendre.

The writing and plotting is dreadful and takes the shine off the whole movie. There are huge holes in the plot and some of the storyline is so implausible that it takes a lot of effort to suspend your disbelief. This is a shame because so many other elements of the film are enjoyable. The film felt lazy, or rushed, because some of the plot holes could have been easily rectified with a little more thought.

However, there are some lovely and lively performances, the characters are all likeable, there is a few good one-liners and funny slapstick moments. So watch with a forgiving frame of mind and you should enjoy it.

The Gallery, Fortnum & Mason, Piccadilly, London

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This restaurant is quite modest in terms of décor, with its unvarnished tables and plain wooden floor, which in Fortnum and Mason terms is definitely understated. I have seen this listed as a low cost restaurant, but I couldn’t say that I agree with that description.  I suspect that you could get away with £25 per person if you were to choose the absolute cheapest starter and main course, but you couldn’t have a dessert or wine and you could certainly not drink tea.  I noticed that tea was £8 and while I have no doubt that it is lovely tea and will come in a pretty teapot, it is hardly economical.

However, the restaurant is attractive with a view over Jermyn Street out through the window and a view over the sweet displays when you look in towards the shop. Everything is very high quality, as you would expect; pretty menu, nice napkins, good cutlery and crockery. The service is excellent.

The food is lovely too, the ingredients are top notch and each dish is beautifully prepared and presented. The beef was perfectly cooked and the gravy was rich and indulgent. So, although this is not somewhere to go if you are on a tight budget, it does serve a great lunch and I recommend it if you feel like a treat.