Girl from the North Country contains three or four intertwining stories. These are slight, almost sketches really, but are beautifully told so that we care about the people we see on stage. It contains about twenty songs from Dylan’s back catalogue. These are used, in an abstract way, to accentuate the drama rather than to move the narrative forward. It would be misleading to call this a musical, it is more a play with musical accompaniment.
The prose and the songs complement each other very well. Given the quality of the cast, the strength of the acting is no surprise. The singing, orchestration and choreography are the revelation. There are some amazing voices in the ensemble. Shirley Henderson and Jack Shalloo, in particular, shock when they sing, but every song is delivered well. The impact of a downtrodden, beaten character suddenly opening their vocal cords is not to be underestimated. Even the songs that I already knew, appeared to be given new life in the context of the play.
The reception of the audience was good, it is not too often that the whole audience stands at the end. I enjoyed this show, Conor McPherson and Bob Dylan are a combination that go together very well.