Hogarth’s Progress Part 1, The Art of Success, Rose Theatre, Kingston

The Art of Success was first produced by the Royal Shakespeare Company in 1986. it was written by Nick Dear, he has now written a companion piece, set 30 years later and they are being presented as a double bill at the Rose Theatre in Kingston, under the title “Hogarth’s Progress”. The first play depicts Hogarth’s life at the time just before the copyright act came into force when he had just done “A Harlot’s Progress” and before he started “A Rake’s Progress”. The second will depict him in later life. They are meant to complement each other and still work as stand alone plays.

Set in London in the 1730s, “The Art of Success” is a ribald and raucous story, telling of the partying antics of many of the renowned people of the day. These include Hogarth himself, the satirist Henry Fielding, Prime Minister Robert Walpole, brothel keeper Elizabeth Needham and even George II’s wife Queen Caroline. Many scenes are salacious and slanderous, reflecting the satirical plays of the time that led to the passing of the Theatrical Licensing Act. Hogarth was instrumental in causing the engraving copyright act to be passed and there is a subtext to this play about the ownership of art and about how art develops in times of social change, which chimes with the present day challenges for art in the different forms of social media.

Having said all that, the main thrust of the play is a bawdy farce about an epic night on the town and is meant to be enjoyed as just that. In this respect it works well.  It has funny jokes, although it occasionally veers into Carry-on territory. It is merciless in lampooning the aristocracy and it has enjoyable characters. The cast is spectacular, every performance is good.  Jasmine Jones is excellent as Sarah Sprackling, she manages to get a great balance between comedy and pathos. Jack Derges as Henry Fielding is both funny and loathsome. Bryan Dick does a fantastic job of holding it all together as runs about the town in various stages of disrepair.

The set is ingenious, I liked how contemporary it manged to be while still displaying the 18th Century. I cannot imagine that they had the ability to use the effects on display here when it was first produced 32 years ago, and I enjoyed the little nods to modern technology in the direction. “The Art of Success” is a play that you continue to appreciate after you have left the theatre and I am looking forward to seeing part 2 “The Taste of the Town” when it opens next week.

 

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The Play That Goes Wrong, Duchess Theatre

I have to say that I felt a bit sorry for Cornley Polytechnic drama, after all the rehearsal and effort that went into the production, that they should have a night like this.

I suppose that we could have guessed it wasn’t going to be their night when the dog went missing even before the show began! However they struggled on manfully and the understudy that came on for Constance after she was knocked out did very well ……. considering.

If I were them I’d probably sack the sound engineer, I mean how much can he know about sound, given his love of Duran Duran.

I applaud the cast for (mostly) making it through to the end of the show unscathed.

I’m going to recommend that you go to see this production because they surely could never have another night like this. The acting was brilliant, with hand gestures and everything, and I’m sure that once they get their difficulties sorted; there is a wonderful murder mystery in there, just waiting to come out!

The Painkiller at The Garrick

This is physical comedy and farce. These are not usually my favourite types of theatre.

On this occasion is it so well done that I have finally realised why it was so successful in the last century – once you begin to laugh, you are carried along on a wave of slapstick and ridiculousness that is quite exhilarating. The whole cast were brilliant, Rob Brydon and Kenneth Branagh looked to be enjoying themselves enormously which added to the entertainment. The whole audience laughed out loud and I recommend this show even to those who do not normally like dropped trousers and double entendres.

Now, who can help me get tickets to the final performance of this show because I think it will be even more amazing!