Falconwood to Grove Park is one of the shorter walks on the ring, I’m not sure how come it measured 9k on my app, when the ramblers site says they did it in 7.1k. I think they followed the direct route from the station to the footbridge whereas I followed the signposted path, which I have to admit looks a little more circuitous on the map. Start by walking in Eltham Park North, which changes to Eltham Park South once you cross the brutalist footbridge over the busy A2.
Next, we have a section of suburban streets. A typical London mixed income area, some posh houses and schools, with some modern new build, low rise blocks of flats, Eltham would be considered a reasonably well-off part of South London. Its big claim to fame is that it is the birthplace of Bob Hope. Conduit Meadow here. held the spring that fed the river Shuttle, although it is not visible here, and it provided the water for the nearby palace.
As the houses become older, the street names become more interesting, and we enter Tilt Yard Approach. This is a hint that we are arriving at a place of historical significance and sure enough as we go down the hill we see the walls and moat of Eltham Palace.
This is a fantastic historical building. Now cared for by English Heritage, both the house and gardens are a treat to visit. It has great architectural items from two very distinct historical periods. It was the country residence of the Kings and queens of England from the 14th to 16th century and then in the early 20th Century it was bought by the Courtauld Family and is one of the beautifully preserved Art Deco buildings in the country.
Past the Palace we go along King John’s walk, which is now a lane of stables and riding schools. It has a lovely juxtaposition of old and new with horses grazing before a classic London skyline. There are also some nice ornate wrought iron gates along this walkway. It also passes a large house, named Fairmont, that was once the home of the cricketer W.G. Grace.
A brief walk College meadow, past football and cricket training pitches brings you to the nicely named, but less interesting to look at, Quaggy River. This is the end of section 2, and on to Grove Park station which brings you Back to London Bridge. Grove Park has a nice mural to Edith Nesbit, who wrote “The Railway Children”
The official walk is from Woolwich foot tunnel to Falconwood bridge and is 11.7km. The nearest train stations are Woolwich Arsenal station and Falconwood station. This adds a little under a km to the walk and is well worth the extra because Woolwich Arsenal and Woolwich Market are both interesting in their own right. Also, Woolwich Arsenal is a station on the newly opened Elizabeth line.
The Woolwich Market sign is the first thing you will see on leaving the station and although it is possibly not as vibrant as it has been at times in the past, there has been a market in that square for over 400 years! Walk through the market, through Woolwich Arsenal, a mixture of ancient cannons and modern apartments and just before you arrive at the Thames you will come to a lovely piece of open-air art – “Assembly” by Peter Burke. When it was first installed, many people (including me) thought it was by Anthony Gormley, but although there is a similarity in their work (both brilliant), this is definitely more in Burke’s style.
Soon we arrive at the entrance to Woolwich Foot Tunnel which goes under the Thames. This is the official starting point and when we emerge from this in a few weeks’ time, it will signify the completion of the Capital Ring. It was built in 1912 and you are allowed to cycle through as well as walk. If you have a car or lorry there is the Woolwich Free Ferry, I guess this would also be an option if you were claustrophobic and did not wish to walk under the river. There has been a ferry at this point for possibly a thousand years, there is reference to it in the Doomsday book in 1086.
This part of the Thames was a Royal Naval Dockyard in the times of Henry VIII and Elizabeth I. Many of the most famous ship were built here including the Ark Royal, HMS Vanguard and HMS Beagle, made famous by Darwin’s voyage. The Thames Barrier has been here since 1984, built after the 1953 floods in which hundreds of people drowned.
This is where we leave the river and head south through a series of parks. Maryon Park and Maryon Wilson Park were both originally sandpits and Maryon Park was the setting for the 1966 film “Blow Up”. Next up is Charlton Park which holds Charlton House, which was the home of the aforementioned Maryon Wilson Family. It looks very imposing, a fine example of a Jacobean house, it was built in 1612.
Then we go through Hornfair Park, where the infamous Charlton Horn Fair used to happen until it was banned in the 19th Century because of continuous “unseemly behavior”. Tut, tut, those naughty Victorians! On to Woolwich Common where the Royal Military Academy was situated until it moved to Sandhurst in 1948. This is where Generals like Gordon, Kitchener and Wingate were trained. Off the Common we cross Shooters Hill, which could be named for the soldiers that used to train here or for the Highwaymen for which it was notorious. Dick Turpin plied his trade here.
Next, we go through a series of woods. Castle Wood which holds the triangular, Severndroog Castle, which is named after a pirate fortress in 18th Century India. This is the highest point of the Capital ring, giving long views over south London. Jack Wood is an oak wood and has a beautiful carpet of leaves, if you manage to visit it in a season when it hasn’t been too wet.
Oxleas Meadows lead into Oxleas wood. Oxleas Meadows has a lovely cafe which does tea, coffee, sandwiches and hot food. This also has lovely long views over the South of London. Oxleas Wood has many ring-necked parakeets. Bright green and noisy, you are likely to see them in many places on the Capital Ring, but they are in abundance here.
Finally, a walk through Eltham Park North to Falconwood footbridge and then left to Falconwood station to catch the train back to London Bridge. A lovely 12.5k walk through leafy south London and I would guess that less than 1k of it was on city streets. If you have a morning or afternoon to spare in London this is a great way to spend it!
The Capital Ring is a 125km walk around London, mostly through parks and greenways, split into 15 parts – each starting and finishing near a bus, train or tube station. It is one of seven strategic London Walks that was part of a plan to make London the walking capital of Europe in the early 2000s. I don’t know what became of that plan, but the walks are still there. Leaflets were printed for each section of the Capital Ring and the London Loop at the time, which I still use, although London has much changed in the meantime, so I also use an updated downloadable map from Walk London as a backup these days.
I particularly like the Capital Ring series of walks as each section is manageable without taking up the whole day and it still brings you to interesting parts of London that you are unlikely to visit for another reason. It is quite well signposted, the signs have Big Ben in blue with a green ring, made up of arrows, around it.
I first walked the Capital Ring in 2010 and again in 2017. I also walked it in 2020 when it was very quiet due to Covid, so this will be my fourth time round. It is interesting to see the things that have changed …. and the things that have remained the same. It has some lovely views, some stunning buildings and it always surprises me how green London is, for such a large city. Many of London’s parks have cafes in them and I enjoy their variety too.
The Capital Ring is an iconic London walk, taking in many technological, architectural and historic locations during the course of its circumnavigation of the city. It starts and finishes at the Woolwich foot tunnel south side to the east of London and crosses Richmond Bridge to the west, it goes as far north as Finchley and visits Croydon and Crystal Palace to the south. It gives a lovely insight into the history and workings of London, and I am looking forward to walking the 15 sections. Hopefully I will get some unusual views of London and some photos of nature and architecture from London’s suburbia.
London has a number of small and quirky museums. This one dedicated to life and works of George Frederic Handel and Jimi Hendrix is certainly an unexpected combination. Handel lived at 25 Brook Street for 36 years in the 18th Century and Hendrix lived at number 23 for short time in the 1960s.
Bach’s house is decorated in the slightly austere Georgian style that was fashionable when he lived there. It does contain some beautiful musical instruments, including a wonderful harpsichord and a chamber organ. The bedroom has a four poster bed and there are some good paintings and a bust of Handel too. There are recitals held in the music room at least once a week and the staff are knowledgeable and helpful.
The Hendrix flat is laid out somewhat differently. The bedroom/living room is decorated as it would have been when Hendrix and his girlfriend lived here, this is borne out by the many photos of the room published during this time. The rest of the apartment is done in a more traditional museum style, with guitars and jackets in glass cases and commemorative posters on the walls. The bedroom is interesting, the fact that it is so classically psychedelic Carnaby Street 1960s in style probably reflects the huge effect that he had on the fashion of the time.
Unlike many museums in London, this one is not free unless you have a National Art Pass. It is small but it does contain a number of curious items. It is striking to compare what the height of fashion was in the centre of London two hundred years apart – and there is something apt in the fact that it doesn’t open until 11am on any day. Half an hour or forty minutes will adequately see you round this exhibition, but if you are a fan of either rock or baroque, I think there will be something here to please you.
London is blessed with a large selection of excellent museums and galleries. The majority of these are free. The Imperial War Museum in Lambeth is a good example of this. It is one of five Imperial War Museum locations in the UK, three of which are in London. Set up in the 1920s to commemorate the effort and sacrifice of Britain in First World War, it is now dedicated to the understanding of modern war, and confines itself to those conflicts in which Britain or the Commonwealth had some involvement.
The building is impressive, surrounded by the green lawns of Geraldine Mary Harmsworth Park, it is about a five minute walk from Lambeth North tube station. It has ionic columns at its entrance and an impressive dome. It also has its own interesting history, in the 19th Century it was the notorious Bethlem Royal Hospital, the psychiatric facility that allowed visitors to watch the inmates as public entertainment. It is this building that became the origin of the word bedlam.
The museum is arranged over five floors. The top floor is the Lord Ashcroft gallery which has a large collection of medals awarded for bravery and the stories of many people who have been presented with them. It is an interesting investigation into the definition of courage and what inspires heroic acts.
The fourth floor is dedicated to the holocaust and the rise of Nazism in the mid twentieth century. This contains a surprisingly in depth analysis of the political climate that led to the spreading of the ideology and a comprehensive presentation of its results. There is a scale model of the Auschwitz-Birkenau concentration camp, which really gives perspective to the magnitude of the crimes. This floor needs to be approached with care, the display is moving and distressing.
The Third floor has an exhibit called Curiosities of War, which is a collection of unusual war related items. This is quirky and comparatively light. The second floor is split between conflicts after WWII and a display about espionage. The recent conflicts exhibition is thought provoking, it brings current events sharply into focus. The spy section seems lightweight, I guess it is tough to say much about state secrets without giving those secrets away. This floor also holds a real size model of an atomic bomb, it is shocking how small it is.
The two lowest floors hold the largest items, tanks, ambulances, rockets, large guns and planes….the remains of a vehicle that was once a car bomb. The descriptions of the items and the uses to which they were put is almost more interesting than viewing the items themselves.
The Hall of Remembrance, is a gallery that was proposed to be built containing artwork commissioned as a memorial to the war dead of WWI. The project ran out of money in the 1920s and was never completed. The Imperial War Museum holds all the artwork that was due to be shown in this gallery and has put it on their website in the form of a virtual gallery. This is a beautiful testimonial and well worth a visit, I have put a link here .
War is not entertainment and this will not be your jolliest day out in London. However, The Imperial War Museum is something that you really should visit when you come to the UK. It is wonderful that this city has such high quality resources and amazing that it offers them for free. The building has step free access and there is parking for Blue Badge holders, but it needs to be booked. Recommended.
Duke Riley’s Fly by Night is an art event happening over three midsummer evenings in Thamesmead. It is part of LIFT 2018, which seems to get better each year. The installation itself consists of releasing 1500, racing and homing, pigeons, which have been fitted with LED leg tags, over the Thames at sunset.
The venue for this event is a little way out of Central London. Crossness Pumping Station is a Victorian sewage treatment plant in East Thamesmead and the viewing area is in the grounds of its beautiful Grade I listed building. Thoughtfully, the organisers have kept the building open late and a trip around the accompanying exhibition “The Big Stink” is a diverting start to the evening as we wait for the sun to set.
The location itself is attractive, in an unconventional way, factories and wind turbines face us on the opposite shore. On a good summer evening, watching the sun slowly sink into the urban skyline over the river has beauty of its own, even if, it is not one of the first places you would think to come. The anticipation rises as the sun sinks and slowly the first pigeons rise from their hotel/loft into the sky. They circle the area in small flocks, rising and swooping in the dying light. Gradually, as the evening closes in, the pigeons begin to gather flickering lights as the LEDs start to win the battle over sunlight. Slowly, and almost imperceptibly, over the course of the thirty minute flight, the pigeons fade into the night and all we see are the soaring and diving leg tags making patterns in the night sky.
Rodin and the Art of Ancient Greece is a fantastic exhibition, in terms of both content and context. The Parthenon marbles, which used to be known as the Elgin Marbles, are always in the British museum collection but exhibiting them with the Rodin sculptures, for which they provided inspiration, adds a frame of reference to both.
We see the timelessness in the Greek pieces where the damage of 2500 years only adds to their beauty. In Rodin’s sculptures, the incompletion is intentional, but the pieces are no less pleasing because of that. The show cleverly depicts both sets of pieces as individual parts of a larger work. Elgin removed decorations from the Parthenon in Athens and Rodin’s sculptures are part of his, never fully finished, Gates of Hell. It is very informative to see the representation of the wall near each piece which shows exactly whereabouts in the wall it came from.
The room is big and impact on entry is impressive. There is a large collection of Rodin’s works here, mostly on loan from Musee Rodin in Paris. We have Athena (Pallas), The Kiss, The Thinker, The Walking Man, The Age of Bronze, even The Burghers of Calais has been brought in from Victoria Tower Gardens. The Parthenon Marbles are interspersed among them and seeing, for example, the two intertwined headless Goddesses in the background of The Athena with the Parthenon in her hair, adds to the attraction of both.
The ancient Greeks, Phaedias mostly here, tended to use an idealised form of the body in sculpture and frieze, whereas Rodin veered more toward realism in his, but this show brings attention to the association between the piece of art and its inspiration. This is its real success.
The British Museum holds one of the greatest art collections in the world, but surprisingly, it does not have any Rodin in its permanent collection, so if you did need an extra excuse to visit, this is it. Also, for the first time, photography was allowed in this exhibition.
On the lower northern wall of the square are busts of three First Admirals of the fleet; Cunningham, Jellicoe and Beatty. Admiral Andrew Cunningham was distinguished veteran of WWII and his bust was added after the other two in 1967. Jellicoe and Beatty are Admirals of WWI and their busts were placed in 1948, facing Nelson, “Hero of the fleet”. I hope it is true that they both admired Nelson as much as they are supposed to, because upon their deaths, in late 1935 and early 1936, they were both entombed in St Paul’s Cathedral, also facing his tomb.
Also on the lower northern wall of square is an often overlooked historical treasure “The Trafalgar Square Standards”. They are low down along the steps and in the wall behind the seats. These were the official British Imperial measurements of length until we adopted the metric units of measurement in 1995. These were set into stone, by the Standards Department of The Board of Trade, in 1876 and if you suspected that any measuring implements were incorrect you could bring them here to settle the argument. There are three sets of these official standards, the others are in the Royal Observatory in Greenwich and in the Great Hall of the Guildhall in the city. The official measures included are; the inch, foot, yard, link, chain, perch and pole.
There are four plinths built to contain statues in the square. The two on the south side of the square contain statues of Victorian Major Generals, Napier and Havelock. They both served with distinction in the campaigns in India. The third plinth is occupied by an equestrian statue of George IV. It was commissioned by the King himself and depicts him riding bareback, without stirrups and in ancient Roman dress. He intended it to be placed on the top of the Marble Arch, but it was put here in 1843.
The fourth plinth was intended to hold a statue of William IV. It was empty for over 150 years until 1999 when it was decided to put a succession of works of art on the plinth, each occupying it for a limited amount of time. These art pieces have generated a great deal of debate over that past twenty years and, in that respect, the concept has certainly been a success. All of them have been controversial, most of them have been innovative and some of them have been attractive. Among the more memorable are; Anthony Gormley’s “One & Other” where over the course of 100 days, 2400 different people each spent one hour on top of the plinth, Marc Quinn’s “Alison Lapper Pregnant” and Yinka Shonibare’s “Nelson’s ship in a Bottle”. The current incarnation, Michael Rakowitz’s “The invisible enemy should not exist” is a recreation of a sculpture of a Lamassu (a winged bull and protective deity) that stood at the entrance to Nineveh from 700 B.C. It was destroyed in 2015 and this piece is made completely from empty Iraqi date syrup cans. I find it beautiful.
On the South Eastern corner of the Square is a round edifice with a light on top. This is claimed, by some, to be the smallest police station in the world. Put in temporarily in WWI but made permanent during the general strike of 1926, it is a raised room from which a policeman could stand and watch the square in order to phone Scotland Yard, if a demonstration in the square showed signs of becoming dangerous. When the light was changed from gas to electric, the light used to flash when the phone rang, in case the assigned policeman was patrolling the square.
I have a couple of pieces other random trivia about Trafalgar Square. The north side of the square is substantially higher than the south. This slope is not natural, the south end was lowered in order to made the National Gallery building more imposing. The earth was used to level St James’ Park. Adolf Hitler planned to remove Nelson’s column and statue from Trafalgar Square when Germany conquered Britain. His intention was to place them in Berlin as a victory trophy.
While you visit Trafalgar Square, you should visit St Martin-in-the-fields on the NE corner and the National Gallery. I plan to do separate pieces about these. I will put links here when I have completed them. Also, on the South side, between Whitehall and The Mall, there is an unobtrusive hotel called The Trafalgar. This is a smart hotel and if you go to the back you can catch a lift up to a rooftop bar. The cocktails are central London prices, but they are good and the roof terrace has lovely views over the square.
Trafalgar Square is a tourist attraction that is packed with both dramatic architecture and history. It has a claim to be the centre of London, in both a physical and psychological sense. Other places have claims also; Bank, Buckingham Palace, Piccadilly Circus even Hyde Park Corner, but there are a couple of good arguments in favour of Trafalgar Square.
It has been the scene of major British public gatherings and demonstrations from soon after its opening right until the present day. It was the backdrop to the Poll Tax demonstrations in the 1990s, CND rallies in the 1960s and ’70s, Chartist gatherings of the nascent Labour movement in the late 1800s and more recently campaigns against Climate Change and the wars in Afghanistan and Iraq.
Over the Christmas period it holds London’s most famous Christmas tree, a gift from Norway every year since 1947, as a thank you for Britain’s support during WWII. It was also the traditional gathering place for London’s New Year celebrations until the crowds became too big and deemed too dangerous to have at a single venue.
Trafalgar Square was designed in 1826 by architect John Nash, it did not really begin to take shape until the late 1830s when the National Gallery was built in 1838. It is named after the battle of Trafalgar, a famous 1805 victory over Napoleon.
The centrepiece of the square is Nelson’s Column; a monument to the leader in that battle. This was erected in 1843 just before the square became a public area. It is a 43metre high, granite column with a 7metre statue of Horatio Nelson on top. The column itself is a Corinthian column, having an ornamental top. This ornament is made from British cannons. There are also bas-reliefs on each side of the column at the bottom, depicting earlier famous British war victories and these are made from the melted down remains of weapons captured from the French and Spanish armies. Famously, the stonemasons who built the column are reputed to have had dinner served on its top, before the statue was placed.
The Lions at each corner of the column were designed by Edwin Landseer and were installed in 1867. They are made of bronze and each one weighs over 6000kg. The fountains at either side of the column, were added later. The current fountains were designed by Edwin Lutyens and added just before the start of WWII. Trafalgar Square as a whole is Grade I listed, which is the highest level of architectural protection in the U.K. awarded only to buildings of exceptional interest.
The oldest statue is to the South of the square. It depicts Charles I on a horse. This was made in 1633 and sent to be melted down after the abolition of the monarchy in 1653. The brazier to whom it was given, made his fortune selling trinkets made from the melted down statue, but he had kept it intact to return to the crown on their reinstatement. This is also what Trafalgar Square its claim to be the physical centre of London, as it is to the base of this statue that official distances to London are historically measured.
You may have heard that all the distances to London are measured from Charing Cross. This is true. The Charing Cross was one of 12 crosses placed by Edward I in memory of his wife Eleanor. It was originally in the spot currently occupied by the equestrian statue of Charles I. It was destroyed by order of Parliament after the civil war. A replacement cross was built and placed in front of Charing Cross station during the reign of Victoria. There is an original Eleanor cross still standing, from 1294, in Waltham Cross.
The Wallace Collection is a must see museum/gallery if you come to London. The items on show were bequeathed to the nation in the late 19th Century and have been on display here since 1900.
The number and quality of the Old Masters from the 15th to the 19th century is amazing. It has some of the finest examples of 18th century French furniture in existence. There is also a rich assemblage of porcelain, sculpture and royal amour in the collection. One of the more unusual pieces is a particularly ornate cannon.
Many of the pieces were bought during the sales of art following the French revolution, which is why the collection is so strong in 18th Century French art. Such good examples of the Louis XV cabinets and marquetry cannot be seen anywhere else in the world.
A condition of the bequest was that none of the pieces ever left the collection, even to go out on loan. So if you ever wish to see, say, “The Laughing Cavalier” or Canaletto’s “View of the Grand Canal” you have to come here.
It is astounding to discover that it is free to visit this collection, although they do ask for a donation. It is also surprisingly quiet, compared to the other, bigger museums and galleries in London. This is presumably because it is not in the main exhibition area of town, although you could argue that, situated between Oxford Street, Baker Street and close to Selfridges, it is even more central than those in South Kensington.
Notable among the Old Masters in the collection are 5 Rembrandt, 4 J. W. Turner, 8 Canaletto, 2 Titian, 12 Reynold, 5 Cuyp, 2 Gainsborough….. the list goes on, it is an amazingly rich and full list. There is even a wonderful portrait of Queen Victoria from 1837, when she was newly ascended to the throne.
The Wallace Collection should not be missed when visiting London. Bring your friends when you visit, and you will surprise them with both the quantity and the quality of the art here. Given how quiet it tends to be, even in the summer, I am going to count this as a hidden gem, and I recommend it heartily.