Browns, Cardinal Walk, London Victoria

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Victoria Station and its surroundings have changed dramatically in the last couple of years. It is now full of pedestrian areas and buildings made of glass and steel. Cardinal walk is probably one of the oldest of these but still fits nicely into this environment. The décor and the ambience of Browns matches this well too, it is set over two floors, all glass. The restaurant is on the first floor so if you get a table by the window you can watch the world go by as you eat.

Their Pinot Grigio is good, although at over £8 for a large glass, it needs to be. They have a reasonable selection of beers and the cocktail list looks impressive although we did not try any. The service was good, our waiter was friendly and helpful, but he wasn’t really that busy, so maybe he should have picked up on our indifferent response when he enquired how the food was.

The thing that let them down was the food. The fish pie was ok, but I expect better than that when I pay over £15 for it. The only way to tell the difference between the different fish was texture, the overall effect was bland and the potato topping was runny. The steak sandwich was also all right, no butter on the bread – just mayo, but the chips were only slightly hotter than luke warm and they didn’t have any English mustard. The side order of onion rings contained four rings!

I wanted to like this place because I have enjoyed other restaurants in this chain in the past. With such a large choice of places to eat around Victoria now, average food will not get repeat business.

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The Ferryman, Gielgud Theatre, Shaftsbury Avenue, London W1

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The Ferryman is a kitchen sink drama with an epic storyline. Apart from the prologue, it is totally set in the large kitchen of a family farmhouse outside Derry. The action is a day and a half in the lives of the extended family that resides there. But, the themes are huge, its about family and war, about love and loyalty, about freedom fighting and terrorism, and it tells these stories through short interwoven family interactions that come and go throughout the play that gradually meld together to make a complex tapestry.

Jez Butterworth has been spoken of as one of the best writers around today, and with  The Ferryman he delivers. The language and the narrative are superlative, it is the writing of someone both confident and ambitious. He is brave to wind traditional songs and ancient stories through the dialogue and he is talented pull it off so well.

The direction is awesome, there are 17 characters in this play, without counting the live goose, rabbit or the baby. Just moving them all around the stage must have been a major task but, Sam Mendes makes the whole setting feel real,  natural and, even simple.

The cast is also fabulous, lots of lovely performances from so many different actors. Paddy Considine and Laura Donnelly are great as Quinn and Caitlin, but right through the cast there were great turns. I loved Rob Malone as the troubled Oisin. Brid Brennan had a scene stealing part as Aunt Maggie Faraway and she played it perfectly. Dearbhla Molloy and Des McAleer are wonderful as Aunt Patricia and Uncle Pat.

As you can tell, I loved this show. I have to finish because I am about to run out of superlatives. This is a play that will become a classic piece of literature that will be on school curricula.

 

 

The Wallace Collection, Manchester Square, London WC1.

 

Franz Hals, the Laughing Cavalier
The Laughing Cavalier

 

The Wallace Collection is a must see museum/gallery if you come to London. The items on show were bequeathed to the nation in the late 19th Century and have been on display here since 1900.

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Van Dyck, The Shepherd Paris

The number and quality of the Old Masters from the 15th to the 19th century is amazing. It has some of the finest examples of 18th century French furniture in existence. There is also a rich assemblage of porcelain, sculpture and royal amour in the collection. One of the more unusual pieces is a particularly ornate cannon.

 

Cannon

Many of the pieces were bought during the sales of art following the French revolution, which is why the collection is so strong in 18th Century French art. Such good examples of the Louis XV cabinets and marquetry cannot be seen anywhere else in the world.

Vases

A condition of the bequest was that none of the pieces ever left the collection, even to go out on loan. So if you ever wish to see, say, “The Laughing Cavalier” or Canaletto’s “View of the Grand Canal” you have to come here.

 

Canaletto, the Grand Canal
Canaletto, The Grand Canal

 

It is astounding to discover that it is free to visit this collection, although they do ask for a donation. It is also surprisingly quiet, compared to the other, bigger museums and galleries in London. This is presumably because it is not in the main exhibition area of town, although you could argue that, situated between Oxford Street, Baker Street and close to Selfridges, it is even more central than those in South Kensington.

 

Rembrandt, Susanna van Collen and Anna
Rembrandt, Susanna Van Collen and her daughter Anna

 

Notable among the Old Masters in the collection are 5 Rembrandt, 4 J. W. Turner, 8 Canaletto, 2 Titian, 12 Reynold, 5 Cuyp, 2 Gainsborough….. the list goes on, it is an amazingly rich and full list. There is even a wonderful portrait of Queen Victoria from 1837, when she was newly ascended to the throne.

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The Wallace Collection should not be missed when visiting London. Bring your friends when you visit, and you will surprise them with both the quantity and the quality of the art here. Given how quiet it tends to be, even in the summer, I am going to count this as a hidden gem, and I recommend it heartily.

Motel One Manchester-Piccadilly, Manchester

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Motel One is about as handy as you can get if you arrive in Manchester by train. It is directly across the road from Piccadilly train station. The rooms are quite small, but they are cleverly laid out and well appointed. The windows are big, so even on a grey day the room feels bright. The bathrooms are new and modern and the shower is excellent. The bed is big and comfortable, all rooms have free wi-fi that is efficient, the code only works for 3 items though – so if you are as gadget fuelled as we are, you may have to sweet talk the reception staff into giving you more codes.  Motel One is German hotel brand and the TV comes with many European channels as standard.

The breakfast is good, but continental only, it is not included in the price and not particularly great value in a part of town that is full of great brunch venues. Head to Hilton Street which is less than a ten minute walk away and has a number of interesting cafes, including  The Pen and Pencil, 57 Hilton St, Manchester which we really liked.

Also, you need to be aware that, despite its name, Motel One, does not have a car park, so you are at the mercy of private car parks if you have driven to Manchester and parking in town is not cheap. Having said that, central Manchester is a great city to walk around and public transport is pretty good, so a car would not be essential for your time here.

The bar on the ground floor is decorated in a modern European style; flash furniture and muted colours, pleasant enough to sit and have a drink in while waiting for friends. The music is at a nice level for conversation and they have pleasant bar staff.

Overall, Motel One Piccadilly is a very good budget hotel, right in the heart of town and I will happily stay here again next time I come to Manchester.

Blue Stockings, The Yard Theatre, London E9

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It is a shocking fact that women were not allowed to graduate from Cambridge University until 1948. This play is set 50 years earlier and concerns four ladies who attended Girton College, Cambridge at the end of the 19th Century. It is a well written and cogent drama about the beginnings of the women rights movement. it gives voice to all points of view at that time, ranging from those who believed that education would distract women from being good wives to those who thought that noisy demonstration calling for immediate emancipation was the only way forward.

The Yard is an interesting theatre space, the seats are close to the action, but the wide stage and high ceilings make it very open. I really like the apparent simplicity of the direction, schoolroom projectors set the scenes, blackboard writings mark us as being in a classroom, a pictures of an orchard or Van Gogh’s night sky move us outdoors. This is inventive and effective.

The quality of the acting is very high and there are nice performances even in the smaller parts. Mischa Jones is fabulous as Tess, she brings a nice balance of intelligence and innocence to her role. Laura Trosser has a great part as Miss Blake, resolutely playing the long game in the fight for equality and she plays it perfectly. I really liked Quinton Arigi as Will, whose position changes as the story develops.

Blue Stockings is part of the National Youth Theatre of Great Britain’s East End season at The Yard Theatre. It is a sterling production of a very good play, in an engaging venue. I will be looking out for more Jessica Swale written plays. It has also made me look forward to seeing the next play in the season, “The Host” and their revival of “Zigger Zagger” at the Wilton Music Hall, next month.

A thoroughly enjoyable evening. Recommended.

Hamlet, Harold Pinter Theatre, London,

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Hamlet is a play that has been done so many times in London over the last few years, it seems to be the role that every major star wants to do, to prove their worth. Well, this version, directed by Robert Icke and starring Andrew Scott is, without doubt, the best of them.  The direction is wonderful, it makes the play feel current and relevant to today. I love the use of technology; the ramparts on video cameras, the war coverage on a 24hour news station,  the paparazzi at the wedding.

Andrew Scott is a fantastic Hamlet, hurt, sarcastic and sardonic, he speaks every line as though he is having difficulty putting the depth of his feelings into words. The words are 17th century but his delivery of them is 21st century psychoanalytical. The modern setting brings out humour, in his lines, that was previously hidden and it makes his cruelty towards Ophelia and his mother, all the more harsh.

Derbhle Crotty plays Gertrude, as a worried caring mother, a bit frivolous and taken in by the attentions of her late husbands brother. I liked the chime in accent between her and Hamlet, it emphasised their bond and highlighted his reason for feeling betrayed by her.  Angus Wright is wonderful as Claudius. In this production he is a modern Machiavelli, concerned with approval ratings and how the public would feel if he prosecuted Hamlet for the death of Polonius. He is the ultimate politician king, bland and reasonable while plotting death. It makes one realise how little politics has changed through the centuries.

Peter Wight is great as Polonius, usually played for laughs, but here he is a family man, desperately trying to enhance the lives of his children by means of his diplomacy. The affection between Laertes, Polonius and Ophelia is underlined in this production, and the sense of loss is deeper because of it. David Icke is not afraid to take risks, I am not sure about the Bob Dylan songs, bringing 1960s music into such an up to the minute setting jarred a little, but Rosencrantz and Guildenstern work very well as a romantically involved couple and why wouldn’t one of them be female. I am looking forward to the Tom Stoppard update.

The finale is deliberate, each character allowed their own time. Horatio is solicited to tell the tale, but it has all been recorded on video, so it will be available for the news channels to package and present, from all points of view, for years to come….

This is a fantastic production, it has a month left to play, London theatre at its very best.

Hyde Park Corner, London W1.

Hyde Park Corner

Hyde Park Corner has a lot going on, for what is, ultimately, the central reservation of the busiest traffic roundabout in London.

Peace in a Quadriga

There is Wellington Arch in the centre, which used to house the second smallest police station in Britain until 1992, it is now a museum and open to the public.  It is called the Wellington Arch because the top of it used to be crowned by a 40 ton Statue of the Duke of Wellington – the largest statue of a man on a horse that has ever been made. It was moved to Aldershot in 1912 and the arch now has a statue of a winged charioteer driving four horses on it top. This is the largest bronze statue in Europe.

Australian War memorial

The grassed over island also has the Australian war memorial in the South Western corner and the New Zealand war memorial on the North Eastern corner. These are 21st century memorials built in 2003 and 2006 respectively and commemorating antipodean deaths in the two world wars. They are both moving pieces of public art.

New Zealand War memorial

It also contains the Machine Gun Corps Memorial and the Royal Artillery Memorial, two more pieces commemorating casualties of the World Wars. These are both interesting in their own ways. I’m not sure why the Machine Gun Corps is commemorated by a statue of a young man with one hand on his hip and the other on a large sword, but it is beautiful, nonetheless. The Royal Artillery Memorial has more of a Great War atmosphere, it resembles soldiers guarding a tomb, with a cannon on its top.

Machine gun corps

There is also a statue of Lord Byron and a large bronze of The 1st Duke of Wellington sitting on a horse. The equestrian duke statue is a smaller copy of the one that used to be atop the Wellington Arch. The best way to reach the central reservation avoiding the traffic is by one of many underground passageways. These are bright and well kept and have tiled depictions of the history of the area. I can’t believe that I am recommending  visiting the underground pathways to a traffic island, but these are quite interesting in themselves and definitely deserve a view if you have an interest in the history of the area.

Hyde Park

Not only is the junction itself full of interest but, there are many places very close by. There is Apsley House, the home of the Dukes of Wellington, and Hyde Park itself to the north. The wall across the road on the southern edge is Buckingham Palace garden. Green Park is on the east, and the Old St Georges hospital, now the Lanesborough Hotel, reputedly the most expensive in London, is to the west. Plus, of course underneath all this is Hyde Park Corner tube station.

Apsley House

In short, if you are to visit any traffic island in central London, then this should be the one!