Great London Songs

11 Parklife – Blur

Released in 1994, the title track of Blur’s third album Only reached No. 10 in the UK chart, but it is probably one of the most recognizable “Britpop” songs. The verses are narrated by Phil Daniels, a London actor, in a strong cockney accent. It was written while Damon Albarn was living in Kensington Church Street and the band were recording the album in Fulham.

At the 1995 BRIT awards, the song won the single of the year award and the video won the video of the year. Set on the Greenwich peninsula, along a street of terraced houses, you can, briefly, see the early City of London skyscrapers in the background.

The song has also been used in an advertisement for Nike. Filmed on Hackney Marshes with Eric Cantona, Robbie Fowler and Ian Wright among others – it very often appears in best ever adverts lists.

Since then, it has become a football anthem and is sung at many clubs, most notably by Norwich with the lyrics changed to “Farkelife” at the time when their manager was Daniel Farke.

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Up at the O2

It seems that I was one of the few people who liked The Millenium Dome, as it was called when it was called when it was first built. I had a couple of very enjoyable days there at the start of the century. So, when I was given the tickets to walk over the roof of it, as a birthday gift, I was delighted. It’s called the O2 arena now and the walk over its roof is “Up at the O2” with a tagline of “Get over it” – which might be a reference to how unpopular the venue was when it was opened.

The tours run every 15 minutes from roughly 10am until 10pm, although the start and finish times do vary from day to day. You can book them a long way in advance, but I would recommend waiting until you have a good idea of what the weather will be like before booking. They run whatever the weather, rain or shine and only cancel if there are gale force winds or if there is lightning within 5 miles.

It was a lovely sunny October day, the 30th, on the day we did it and although I’d imagine it would be an interesting experience in a thunderstorm, I suspect it would not be as pleasant. The walk up and down is quite steep at times, 30% maximum gradient, but the path is wide, and you are hooked up to a safety harness, so the journey to the top and back did not feel dangerous at any point. There are grips to hold your shoes on the steepest parts, but I bet the surface becomes quite slippery in the rain.

The podium at the top is big and provides beautiful panoramic views of the city skyscrapers and of the Thames east of London. The only cameras you are allowed to bring are those that will fit inside your zipped pockets. They do have gilets with zipped pockets, that they will lend you, if your jacket does not have zipped pockets. The pillars do make it a bit difficult for someone of my limited photographic ability to get photos that do justice to the views. The maximum group size is twenty and our guide, was very helpful with lots of information and offers of picture taking.

Antigone, Greenwich Theatre, London

The Actors of Dionysus are touring the UK at the moment with this, a sci-fi tinged modern adaptation of Sophocles’ two and a half thousand year old play. Antigone, a Greek tragedy, has never really been an easy watch, but this adaptation has definitely made it more accessible.

Christopher Adams has written, a well thought out, updating of the play. I enjoyed the conceit of making the chorus of the original into the hive mind of linked computers. I thought the idea of making the soul into a chip that needed to be removed and uploaded worked well and gave us a good insight into Antigone’s motivation and into Creon’s harshness at refusing to allow it.

The stage setting is interesting, I guess touring made the set need to be as simple as it was, and I liked the current touches, the surveillance drones are particularly clever and fitted very well with the story and setting. The simplicity of the set did emphasise the universal themes of the play.

I found the acting good and I enjoyed the way each character pushed their agenda. I particularly liked the change in Creon from harsh dictator to broken soul. The well intentioned but misguided leader delivering tough love for the good of the populace can be a hard sell at times, but he brought it off well.

It is a Greek tragedy, so we cannot expect a happy or wholesome outcome, however it is a tribute to Antigone’s universal themes that it is still being performed over two millennia after it was written and this is as enjoyable and accessible a production as you are likely to see anywhere.  Thoroughly recommended.the