The Four Corner Chess Club, Saturdays, Granary Square

The Four Corner Outdoor Chess Club is a very enjoyable thig to do on a sunny Saturday afternoon. It meets at noon in St. John’s Square, a short walk from Farringdon station, a part of the city that is quiet at the weekend. It is free and you don’t need to book – just turn up and take part. The atmosphere is fun and friendly, it doesn’t matter whether you are a good player or a complete beginner, you will find a game. To be honest, you don’t even have to play, there were some people who just came to watch.

They say that chess is good for keeping the brain active, and in that respect, this club would certainly be good for the over 55s. The chess sets are laid out on a small wall and have a natural seat on one side, on the other side the player will have to stand, so if you have a back problem you may have to ask to be on the seated side. I can’t imagine that anyone there would have a problem with this though, everyone was very helpful and friendly.

The setting is lovely, a tree lined square, there is even a beautiful quiet, contemplative garden on one side, where you could go to gather your thoughts after a particularly tricky game. It was a warm sunny day when I was there, and it was an idyllic way to spend time – it might be a bit different on a damp winter day, although I suspect that they have a friendly pub nearby that they can adjourn to. The Four Corner Club also meet on a Wednesday evening at 6pm in Granary Square, near Kings Cross station – perhaps I’ll see you there!



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Chess, The Coliseum, London WC2

Chess

Chess at the Coliseum is part opera, part rock concert, but full on spectacle. It has a large orchestra, positioned in full view, above the stage. It has fire eaters, stilt walkers, aerial silk dancing, a company of fifty people. There are video screens, pop concert style, at each side of the stage; showing the current singer in close up. There are video clips showing American capitalist advertising and Russian communist iconography. They have lavished both money and attention on this show and it has not gone to waste. Sometimes, it is good to see a big production and the extravaganza that can be delivered when no expense is spared.  The music and performances need to be strong to cope with these distractions, and luckily here that is the case. When Chess was written, it was set in the near present, however the world has changed so much sine the 1980s that now it has become historical period drama, and this has given it has a timeless quality that it did not have at that time.

Music by Benny and Bjorn from Abba and lyrics by Tim Rice, the songs are memorable and emotional. It is clever that the American characters have the more rock style songs. Tim Howar has the perfect voice for these songs, unsurprising I suppose, as his day job is lead singer with Mike and the Mechanics – a classic ’80s rock outfit. Alexandra Burke is Svetlana, the Russian wife, not many songs but she sings them very well. Cassidy Jansen plays Florence, which is the bigger part and she also has an amazing voice. Their duet “I Know Him So Well” is beautiful. Michael Ball is Anatoly, the lead character and is just as good as you would expect him to be. All four main singers are artists at the peak of their careers and they bring out the full potential of the songs. Phillip Browne and Cedric Neal, as Molokov and The Arbiter respectively, also have lovely rich voices.

The choreography is clever and witty. I particularly liked the British dance, with the suited, bowler hatted, umbrella wielding civil servants doing their homage to the swans in swan lake, while the typing pool work away in the background. There is so much going on, all the time, in this production that, no doubt, there are elements that I missed, however, rarely has two and three quarter hours flown by so quickly. The Coliseum is a venue that is more used for traditional opera than modern musicals and Chess fitted in very well. Seeing it here, and hearing it with the benefit of the ENO chorus, one realises that this is a show that could be performed in a venue such as this for centuries to come.