The Jugged Hare, Barbican, London EC1

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This is a smart looking bar at the front with an attractive bright restaurant at the back. It was very busy at 5.30pm on a Tuesday when we were there, we would not have found a seat in the bar, but luckily we had a table booked in the restaurant. As you might expect from the name, the menu is very meat orientated, indeed, the only vegetarian main course is simply listed as “vegetarian” with no description – just a price.

We had the devilled plaice while we discussed the menu, nicely crisp but hardly any spiciness. We also had the dish of large olives, they were indeed large, they were nice but not particularly flavourful.

There are two types of hamburger on the menu, each made with a different breed of cow, the waiter was quite specific in enquiring which one we wanted, we had one of each but were not able to find much difference between them. They are quite expensive, but very substantial, both people who ordered them left half. I had the pork belly, which was unlike any pork belly I had had before, it was like a huge pork chop. However, it was very good and I forgot to enquire afterwards. The “vegetarian” dish was reportedly “fine”.

The hamburgers and the pork were all served on flat wooden boards, I thought we had moved on from this irritating fad, and they are totally impractical for a dish served with gravy.

The wine list has plenty of choice, the prices are at the high end for the quality. The service was excellent and it is very handy for the Barbican. Overall, it was good, without exactly setting the culinary world alight.

Obsession, Barbican Theatre, London, 2017

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Obsession is well acted, Jude Law and Halina Reijn are both moody and muscular, in fact, all six actors are good. The direction is classic Van Hove, there is a big sparse set, both the stage and the actors get very messy during the course of the show, and there is innovative use of both technology and sound. The story is good, it has, after all, spawned three quite different and successful films.

So, I’m not sure why this stage production was not to my taste. Maybe, it was too abstract. I did feel that everything was full of symbolism, but that there were some symbols that  I didn’t understand. Why did Joseph sing opera? Why did Anita bare her breasts at Gino at that precise moment? Why did Johnny meet nicer people at the seaside?

I have few individual criticisms of the play. I felt the nudity was gratuitous and possibly  sexist. Why was Hanna nude but not Gino? There had been a very well done and sultry sex scene earlier where they were both clothed, so I’m not sure why they changed this for the bathing scene. Either both naked for both scenes or neither, just to have the woman nude felt uncomfortable.

Obsession has some great moments, and the ending is dramatic. I really enjoyed Ivan Van Hove’s trademark touches.  However, this show was less than the sum of its parts, it did not hold my attention throughout, and ultimately, I left the theatre disappointed.