Consensual is the latest production from the National Youth Theatre of Great Britain. Set in an urban modern school, it deals with very current issues. It was first performed three years ago, but following the rise of the #metoo movement in the intervening time, it catches the zeitgeist even more today than it did at the time.
The thrust of the play is about the what exactly constitutes consent and where the abuse of power begins. The play wastes no time getting into the subject matter. A teacher is discussing the “Healthy Relationships” curriculum in class, then after school, she is confronted by a relationship that she had with a student seven years earlier when she was a teaching assistant. She believes that the student took advantage of her naïveté at the time. He believes that she groomed him while he was underage.
These two, Diane and Freddie, nicely played by Marilyn Nnadebe and Fred Hughes-Stanton, are the main protagonists of the story. The are supported by a cast of pupils, teachers and family who highlight the blurring of the lines, between their opposing points of view. There is a host of great cameo performances among them, the play is sharply observed and cleverly written, so there are some nice characters and some excellent lines to be delivered. I particularly like Alice Vilanculo as Georgia, who manages to convey a begging for help by resolutely deny that she needs it. Jay Mailer is also outstanding in his one scene as Jake, Freddie’s brother, his exasperation giving way to grudging support in the end.
The direction is clever, the dark subject matter and deep conversation is interspersed with musical breaks and funny moments. The song where the school boys deliver a song in the manner of the Pussycat Dolls or Destiny’s Child is a highlight. There are some very witty exchanges between classmates and these lines are delivered fast and the scenes are short. Jamie Ankrah, Muhammad Abubakar Khan, Olivia Dowd and Simran Hunjun deliver nice brashness and impudence, they keep the mood upbeat and the pace brisk.
The set is sparse and inventive, allowing the direction and writing to shine. I did love the way the cast quickly make a car from school benches. Consensual is a thought provoking show, it tackles a difficult subject in an entertaining way. It could not be more topical. It has some great acting, keep your eyes on the cast list – I’m sure we will be seeing more of these actors in the future!
6 thoughts on “Consensual, Soho Theatre, Dean Street, London W1”
Oh, relationships, an endless theme for stories. We are currently traveling in Peru (as you noticed on my blog). It is interesting to observe a somewhat different culture (mix of indigenous and Spanish traditions) and learning about family relationships… then observing how people behave in the public square (of which every city, town, and village has one). – Oscar
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I guess that is why they say that travel broadens the mind! Peru sounds wonderful, I have never been and would love to go! Enjoy every moment!
Yes, we have some different perspectives on the culture and society, triangulating numerous conversations with guides and other travelers.
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[…] I love when the National Youth Theatre Rep Company’s West End season comes around. This year their shows are on at the Soho Theatre throughout November. Victoria’s Knickers is the second production of the season. Consensual began a week ago and you can still catch a performance of that if you are quick, I saw it last week and you can read what I thought of it here: Consensual. […]
[…] is the third of the National Youth Theatre’s West End season that I have seen, after Consensual and Victoria’s Knickers, which were on last month at the Soho Theatre. I am pleased to say […]